Sick, today, with a fever, and had to make a 4.5 hour run back from New England. Got a speeding ticket at the bottom of a hill at hour 4. Now, getting speeding tickets is a pretty phenomenal feeling. But you haven't lived until you've been pulled over with a fever.
Also, check this out. This is the race series that mattio and others have been busting ass to put together. It will be my coming out to the world of less-than-official bike racing.
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At the last get-together of the Hudson Valley Naturalist Society, we sat around over breakfast talking about the books we were read as kids. I don't know why, but after talking books with Leah and her family this weekend, I've started thinking about what it is to read aloud to another person. It definitely occupies a special place in social interaction... I can still remember many of the books my parents read to me, and the profound effects they had on me.
I can still remember lines like "How many trucks can a tow-truck tow? one, two, three, four, I don't know!". I still think that book is responsible for some of my Marxist tendencies.
There was a girl I had a thing for a while back, and it never came to be anything, but after a long night of talking she used to say "Read something to me."
When I was in the hospital for two weeks last year, L, even though we were separated, came to visit me day by day, and would sit by my bed and read to me. I don't remember exactly what she read (I was half-or-less-conscious. I'm pretty sure it was Millay) but I remember her cadence, her soft voice and her light drawl like it was yesterday. It was the singular most comforting thing I can recall from that time.
Leah makes fun of me that part of our flirtation was reading Bukowski to each other, passing Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit back and forth until we had thoroughly convinced one another of our neurosis.
I read a story once, ages and ages and ages ago. I remember precious little about it, just that there was a couple in it who would read to each other while they made love. I think they named a kid so conceived after one of the characters in what they read.
There's a whole 'nother thing to be said about reading socially in the sense of passing books around among friends, or reading something that you've written to someone you care about. But theres something here about telling other people's stories, wanting to hear what others have said in a voice that you can put a face to, from a face that you know.
I think that storytelling is among the few fundamental human activities. It's how we build our aspirations, our expectations, our measures of ourselves in relation to our ideals, its how we fall in love and its how we ease ourselves from pain. That we tell not only our own stories but those of others implicates the whole human society in our interactions and tribulations, in our project of being human. If stories help make us who we are, then when we read those same stories to others we not only tell them what we are, we show them what we are. Transmitting to them as we received.
Among the things that struck me the most working in New Orleans was the sense of oral tradition. It was a very similar shape to all this.
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5 comments:
I like that idea about transmitting stories. Because it means something on the level of folk tales, etc, but also about telling someone about your day. It means something about books, but it also means something about conversation.
-R
Another story, another story for a while, someone show me
you pretty much just explained why i love having friends who sing.
(corollary: i think "pulled over with a fever" would make an excellent overblown electric blues instrumental.)
there's a special place too--i'd actually been thinking about this--for cooperative storytelling. two or more people who know the story telling it together, switching back and forth to add things, or remembering an experience and creating the story of it. or telling a story to a group of whom some know it and some don't. sort of a collecting of pieces of the story, but also a positioning. the tellers in relation to each other, and the position of the hearer in relation to the teller. you and i do it with new orleans stories all the time. and familes do it (thinking especially of how betty uses stories so extensively). the way there can be either a drawing in of the hearer, or a distancing, or both--which becomes a sort of invitation.
What I like the most is that kind of a group of people creating art together, or individually but in the same place. HVNS has been functioning like that, school was like that, I've had relationships (well, a relationship) like that... When there are shared stories, the interplay of language can be more playful because there's more that can be taken for granted.
yeah. one of my favorite things about the two chapbooks thus far is seeing threads across stories. it's as if everyone's got their own instrument but is improvising off a common melody--you can sort of read that thread back and get a sense of the tone of the time & place in which they were written.
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